Is Your Family History Story Stuck?



Watch this video and grab the tool.


Is your family history story stuck? It doesn’t have to be. Sometimes we lose our way and our family history stories get stuck. In today’s video, learn about the number one tool to help you get your story moving forward again.


Watch the video and grab the tool.

1 thought on “Is Your Family History Story Stuck?”

  1. Thank you Lyn. I always appreciate your helpful hints and writer’s coaching, and your freebies!

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Related Post

Starting at the EndStarting at the End

All stories must end in a different place from where they began.

Family history stories are no different. They are not obligated to stop at the conclusion of a life, or with a happily ever after. They end when your ancestor has achieved something in their life that has brought about change and growth, hopefully, both internally and externally.

As we’ve discussed earlier on in this month, stories are about conflict, a complication. We’ve looked at identifying that conflict and how our ancestors have overcome obstacles on their path to their goal.

The third act of our story focuses on the climax and the resolution.  The climax being that final conflict that will ultimately resolve your ancestor’s problem and bring about a resolution. The resolution is the point in your ancestor’s life when they achieve what they set out accomplish, whether that is to own land or emigrate or acquire a prominent position or be free, etc. The resolution is the prize, the reward at the end of the journey.

For some family history writers, this may be very clear and apparent at the start. However, some of you may be struggling to find that resolution, to identify your plot line from the conflict to a resolution, to identify the prize in your ancestor’s journey. This may be presenting a problem because not all conflicts in a person’s life have resolutions. Perhaps you’ve chosen a conflict with no clear resolution.Therefore, you may have better luck in developing a strong story line by identifying the resolution first and working backwards.

Identifying the Resolution 

Look at your ancestor’s life as a whole, make a list of the achievements they accomplished in their life. Consider the following questions.

  1. How big is the success? The bigger the success, the more significant the efforts, the more powerful the story.
  2. Remember anything your ancestor does on purpose will most definitely have a motivation behind it, for example, your ancestor receives a diploma, acquires land, obtains a prominent position, sets sail for a new land, becomes a military officer. These are all goals that require purposeful action on their part, pressed upon by some motivation. What motivated the action to the accomplishment?
  3. There is often complications on the road to the accomplishment. Did the accomplishment come through way of a struggle?
  4. Did the resolution/accomplishment grow out of your ancestor’s own actions?

 

Keeping the above thoughts in mind choose an achievement/resolution that you feel meets the above criteria.

 

Linking the Resolution to the Conflict

Once you identify the resolution and the conflict in your ancestor’s life, linked them together. Look for the actionable steps your ancestor took working back from the resolution to the conflict.  Each of these actionable events are the obstacles. These are events  in which your ancestor either does something or something is done to him in pursuit of the achievement. Identify those and you’ve identified the obstacles he overcame on his path. Connect your resolution through these obstacles to the initial conflict.  You’ve just identified the plot of your story from the end to the beginning.

If you’re struggling to find the end of your story perhaps it’s because your conflict doesn’t have a resolution. If your struggling to find your storyline then look to your ancestor’s achievements in their life and work backwards.

 

 

What Kind of Family History Should I Write?What Kind of Family History Should I Write?

Before you begin to write your family history stories, you have a couple of decisions to make.  One of those decisions: What kind of nonfiction narrative do I wish to write?

Family History Narrative Using Third Person

In this format your ancestor is the main character of your story, he has a conflict in his life, and he overcomes obstacles towards a resolution. He has a goal, and the obstacles are keeping him from that aim. This objective may take many shapes, emigration, finding a job, surviving a war, starting a family, owning land, love, fortune, fame. The list is as plentiful as our ancestors. The story is the journey to overcome the obstacles standing in the way of the goal.  The story serves as a vehicle to share your family history research in an entertaining format rather a dry summary of facts.

Family History Memoir Using First Person

You as the storyteller and your ancestor, as the main protagonist, share the story. Your ancestor struggles with a conflict towards an end goal, much like in the first-person narrative above.  In addition, you, the narrator struggles to find records or understand decisions your ancestors made, uncover a family secret or dispel folklore and correct misinformation. This format provides you with the opportunity to reflect, offer an opinion, and share your theories and speculations.

Getting Ready to WriteThe two stories, your genealogical journey, and your ancestor’s story are weaved together to create an engaging tale for your readers.

Both formats will enlist the help of narrative nonfiction to craft those stories.

You’ll often hear me refer to the tools of creative nonfiction or narrative nonfiction. Creative nonfiction is the genre closest to fiction in its structure, but unlike fiction, in that, every detail must be factually true.

Lee Gutkind, nonfiction writer, and author of You Can’t Make This Stuff Up, sums it up best.

“ The words “creative” and “non?ction” describe the form. The word “creative” refers to the use of literary craft, the techniques ?ction writers, playwrights, and poets employ to present non?ction—factually accurate prose about real people and events—in a compelling, vivid, dramatic manner. The goal is to make non?ction stories read like ?ction so that your readers are as enthralled by fact as they are by fantasy.”

Your job as a family history writer is to tell and educate the reader while at the same time entertaining them. Many may write family history using nonfiction to present their research. However, the use of creative nonfiction offers the writer the ability to use a narrative arc, with scenes, setting, characterization and description to engage the reader in the story. The goal is to help your reader make an emotional connection with your ancestor through your words.

You still need extensive research to support your story. You remain faithful to the facts, but in using the tools of creative nonfiction, you give a rich, engaging and entertaining story that will capture the interest of your family. It is no longer enough to offer a narrative summary and hope someone will read it. We must deliver a story that brings the reader along on a  journey.