Finding Story Seeds: A Mini-Workshop




 

All too often when we think about writing our family history stories, we contemplate writing about those big story ideas. We want to write an ancestor’s life story from birth to death. We think about writing our family history from as far back as we have researched to present day. These are pumpkins. Gigantic pumpkins.

Your family history might very well be an inspiring and insightful story. But when writing your family history, you don’t always have to go big. Sometimes there are little seeds of stories buried within your research. I love those stories because they zoom in and show our ancestors in their most personal moments. These intimate moments will resonate with your readers.

Often, we have these pumpkin size ideas. Pumpkin ideas are cumbersome and hard to carry. They tend to wear us down. They are overwhelming. When you write about huge topics, you can tire out and lose interest. Huge topics can also be challenging to write, with so many aspects to consider. It’s more fun to dig out the seeds than carrying around a big awkward pumpkin.

LET’S CARVE UP OUR PUMPKIN IDEA AND FIND THE SEEDS

 

For example, my mother’s life story is a pumpkin size idea. It’s a huge pumpkin with over 85 years of life to write about. Even if I break her life story down into subtopics, they can still be significant. Watch me do this with my mother. I jot down pumpkin-sized ideas in my notebook.

They might look something like this:

  • Growing up in Northern Ontario
  • Working on the Tobacco Farms in Southern Ontario
  • Married life and raising children

 

In my notebook, I have carved up my pumpkin and listed all sorts of things that were interesting about my mother’s life, as you can see above.

Now that I’ve carved up my pumpkin, I begin to see the seeds and start to pull out those seeds.

  • Her first job cooking and cleaning for a family
  • The day she left home
  • Blueberry picking trips
  • Giving her baby sister her first bath
  • Cooking meals at the Poorhouse

 

Ohhhh, see that!? Now, these moments are starting to sound more like stories, and less like topics. You saw how I did that, right? Finding my seed ideas inside that big pumpkin of a life story.

Now, you may already have ideas that are somewhat specific. Maybe you’ve carved your pumpkin already instead of leaving it whole. But I challenge you to zoom in and pull out those small seeds.

 

NOW IT’S YOUR TURN TO FIND SEED IDEAS

Grab your writing notebook, and identify an ancestor you want to write about. This is your pumpkin idea.

Next, create subtopics, carve up that pumpkin, usually around time periods or significant events in your ancestor’s life. They may look like this:

  • marriage
  • immigration
  • buying land
  • going to school
  • career

Next, take that carved pumpkin and pull out the seeds, those little ideas within those topics.

For example,

Immigration

  • Buying the ticket
  • Seeing North America from the ship for the first time.

Job

  • First day on the job
  • Receiving an award
  • Last day on the job

Marriage

  • A funny event at the ceremony.
  • First date
  • Marriage proposal

Seed ideas are usually memorable moments in a person’s life, but they also can trigger random specific moments in their life that can hold significant meaning.

If you’ve been struggling to get your family history stories out, I’d suggest it could be that you’re carrying too large of an idea. Every time you write, remember to zoom into your ideas, carve up the pumpkin and start to pull out those small seeds. A seed idea is quite fun and manageable to write about!

Go on, dig out those seeds and start writing.

 

 

1 thought on “Finding Story Seeds: A Mini-Workshop”

  1. I love the analogy. This idea speaks to me and looks as though it will help me simplify the overwhelming task of writing my father’s story. It now feels manageable using the seed idea.

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Related Post

Starting at the EndStarting at the End

All stories must end in a different place from where they began.

Family history stories are no different. They are not obligated to stop at the conclusion of a life, or with a happily ever after. They end when your ancestor has achieved something in their life that has brought about change and growth, hopefully, both internally and externally.

As we’ve discussed earlier on in this month, stories are about conflict, a complication. We’ve looked at identifying that conflict and how our ancestors have overcome obstacles on their path to their goal.

The third act of our story focuses on the climax and the resolution.  The climax being that final conflict that will ultimately resolve your ancestor’s problem and bring about a resolution. The resolution is the point in your ancestor’s life when they achieve what they set out accomplish, whether that is to own land or emigrate or acquire a prominent position or be free, etc. The resolution is the prize, the reward at the end of the journey.

For some family history writers, this may be very clear and apparent at the start. However, some of you may be struggling to find that resolution, to identify your plot line from the conflict to a resolution, to identify the prize in your ancestor’s journey. This may be presenting a problem because not all conflicts in a person’s life have resolutions. Perhaps you’ve chosen a conflict with no clear resolution.Therefore, you may have better luck in developing a strong story line by identifying the resolution first and working backwards.

Identifying the Resolution 

Look at your ancestor’s life as a whole, make a list of the achievements they accomplished in their life. Consider the following questions.

  1. How big is the success? The bigger the success, the more significant the efforts, the more powerful the story.
  2. Remember anything your ancestor does on purpose will most definitely have a motivation behind it, for example, your ancestor receives a diploma, acquires land, obtains a prominent position, sets sail for a new land, becomes a military officer. These are all goals that require purposeful action on their part, pressed upon by some motivation. What motivated the action to the accomplishment?
  3. There is often complications on the road to the accomplishment. Did the accomplishment come through way of a struggle?
  4. Did the resolution/accomplishment grow out of your ancestor’s own actions?

 

Keeping the above thoughts in mind choose an achievement/resolution that you feel meets the above criteria.

 

Linking the Resolution to the Conflict

Once you identify the resolution and the conflict in your ancestor’s life, linked them together. Look for the actionable steps your ancestor took working back from the resolution to the conflict.  Each of these actionable events are the obstacles. These are events  in which your ancestor either does something or something is done to him in pursuit of the achievement. Identify those and you’ve identified the obstacles he overcame on his path. Connect your resolution through these obstacles to the initial conflict.  You’ve just identified the plot of your story from the end to the beginning.

If you’re struggling to find the end of your story perhaps it’s because your conflict doesn’t have a resolution. If your struggling to find your storyline then look to your ancestor’s achievements in their life and work backwards.